شباهت‌های فرهنگی‌ و رقابت‌های تاریخی، پیوندی بین مردم ایران و ترکیه پدید آورده که بسیار قابل مطالعه است. شاید اولین بار هم سن و سال‌های من با رمان "اینجه ممد" با این نزدیکی‌، با این هم سنخیتی، هم جنسی‌ و پیوند آشنا شده باشند. فضای داستانی "اینجه ممد" برای من همانقدر قابل لمس بود که مثلاً رمان "سوشون" یا داستان های از این دست برای ما ایرانی‌‌ها

February 4-6, 2010 were the days when Persian Hip hop became visible to the public more than ever. The National Theater (Riksteatern) arranged a festival tour in which Persian hip hop artists from different corners of the world were performing. On the stage were: Simorgh, Sogand, Shahin Najafi, Erfan, Kashayar, and Behrang Miri. The festival “Voices of Change”, were held in Stockholm, Malmo and Gothenburg. The aim of the festival was to bring all these young artists under the same roof and give them a mean to convey their messages to the world.

February 4-6, 2010 were the days when Persian Hip hop became visible to the public more than ever. The National Theater (Riksteatern) arranged a festival tour in which Persian hip hop artists from different corners of the world were performing. On the stage were: Simorgh, Sogand, Shahin Najafi, Erfan, Kashayar, and Behrang Miri. The festival “Voices of Change”, were held in Stockholm, Malmo and Gothenburg. The aim of the festival was to bring all these young artists under the same roof and give them a mean to convey their messages to the world.

February 4-6, 2010 were the days when Persian Hip hop became visible to the public more than ever.